Thesis:
Disaster movies after the 9/11 incident were no longer blithe because Americans were more experienced with real-life disasters. Movies are now made to connect with the solemn feelings of the American people through a more realistic perspective via fictional disasters on the screen.
Audience
The intended audience is American public who have been or have not been exposed to the 9/11 incident, as well as people who are familiar with previous disaster movies.
No, the thesis does not fall within the five categories for a weak thesis. One thing this group could do better is to expound on how movies connect with the solemn feelings of the American people via fictional disasters on the screen.
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